Mad Richard

Richard Dadd knew Dickens and studied with Turner. Based on a true story, Mad Richard follows Dadd as he paints, travels, and commits a murder that puts him in Bedlam — where Charlotte Brontë visits.

Richard Dadd rubbed shoulders with the great luminaries of the Victorian Age. He grew up with Charles Dickens and studied at the Royal Academy Schools under the brilliant and eccentric J.M.W. Turner.

Based on Richard Dadd’s tragic true story, Mad Richard  follows the life of the young painter, who was called the most promising artist of his age. Richard develops his craft, contemplates the nature of art and fame–and ultimately finds himself imprisoned in Bedlam for murder, locked up for life after being found criminally insane.

In Lesley Krueger’s acclaimed fourth novel, this is when novelist Charlotte Brontë pays him a visit.

Already famous for writing Jane Eyre, Charlotte is about to publish her third novel. Yet she suffers from an unrequited love, and finds herself wrestling with questions about art and artists, class, obsession and redemption. Making a visit to Bedlam, she finds an unexpected kinship in Richard’s feverish mind and haunting work.

Masterfully slipping through time and memory, Mad Richard maps the artistic temperaments of Charlotte and Richard, weaving their divergent stories together with their shared fears and follies, dreams, and crushing illusions. According to The Globe and Mail, “Krueger’s portrait of artists as young men and women is alive with wit and rebellion — an aesthetic vivisection of the young Victorian age.”

“A remarkable piece of historical fiction,” says Publishers Weekly in a starred review, calling it, “a terrific read.”

Reviews

Krueger’s portrait of artists as young men and women is alive with wit and rebellion — an aesthetic vivisection of the young Victorian age.

Globe and Mail

There is much to ponder in this elegant novel about the potentially catastrophic emotional toll of art, the irrational nature of love, the solitude of heartache and what happens when one life touches another, however briefly.

The Toronto Star

The knitting together of Charlotte Brontë’s and Richard Dadd’s different trajectories worked like a dream. I was enthralled.

Terry Gilliam

Screenwriter and novelist Krueger uses her visual artistry to good effect in vividly portraying a squalid London in which talent doesn’t always lead to fame or fortune. Exploring the vibrant cultural awakenings of the Victorian age, Krueger intriguingly populates her scenes with the artistic glitterati of the day . . . An entrancing portrait of artistic minds confounded by the Victorian Age.

Kirkus Reviews

Krueger’s research is evident in every paragraph: from the use of authentic slang to richly sketched portraits of the lives of the era’s rich and poor, the book confidently transports the reader to another time.

Quill & Quire

In this remarkable piece of historical fiction, Krueger imaginatively delves into the life of Richard Dadd . . . The two story lines . . . effectively juxtapose Dadd and Brontë, two very different people who travelled in similar circles during the same era and, more importantly, who were both entirely invested in what it means to be an artist. This question anchors the novel, adding depth and dimension to a terrific read.

Publishers Weekly, starred review

A wonderfully elegant novel that led me back to rereading Jane Eyre and a first time go-around with her other two noted novels, Shirley and Villette, this one enthralled me.

Owen Sound Sun Times

By portraying artists before and after their most significant achievements, Krueger is able to tease out a moving narrative of fame, beauty and what an artist owes his or her craft.

Shelf Awareness for Readers

A wonderful read that allows readers to savor moments, thoughts and questions long after the last page is turned.

I am, Indeed

Fascinating and richly detailed . . . Mad Richard is grippingly told and replete with evocative descriptions.

CNQ

This is a beautifully written book that succeeds in weaving together the stories of these two very different people, who have in common ambition, a love of art, and an ambivalent feeling about fame. Charlotte’s story is bittersweet and grounded in reality. Richard’s is horrifyingly tragic and surreal. The author does a wonderful job of presenting his descent into madness in a vivid, realistic, and sympathetic way.

Susan Coventry’s blog